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Marc Maron is here.

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He is a comedian and host of the popular podcast,

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WTF with Marc Maron.

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The podcast recently celebrated its 700th episode.

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He's also the star of the loosely biographical IFC series,

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"Maron," season four.

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The comedy premiers this Wednesday, May 4th.

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Here is a look at the new season.

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(MUSIC)

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All right, everybody, before we get to

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today's interview, I think it's time to address

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the pink elephant in the room.

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Many of you have read or seen stuff about me on the internet,

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on Reddit, on Twitter, you know, in the blogosphere.

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It's time to set the record straight.

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Several months ago, I experienced an injury

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and I started using prescription pain medication.

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And as some of you know, if you are a recovering addict,

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pharmaceuticals can be a slippery slope.

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And I slipped, all right, 16 years of sobriety

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down the drain.

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I will say this, I nipped it in the bud,

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it's water under the bridge, no harm, no foul.

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And if you want to Tweet me some other cliches, feel free,

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but I think I covered them all, OK.

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But you know, Marc Maron is doing just fine.

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Marc Maron is doing just fine

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and he's back at this table, welcome.

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Doesn't look good.

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Marc Maron does not look like he's doing fine there.

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This one is.

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Don't want anyone to panic.

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So there's two things here,

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one is what happened.

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Yeah.

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Number two, the telling of it.

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Well, what happened was at the end of

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the last season, for some reason I decided to relapse

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on pain killers.

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Seemed like a nice story.

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Were you in pain?

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No, I didn't really -- I didn't really do it,

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Charlie.

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I'm OK.

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I just want to let all my fans know that

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this is not based on real life.

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OK.

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Well, in the show I was in pain.

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And we didn't know really how to end the season.

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And then when you do television you don't know when it's going

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to be your last season.

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So each season should have a fairly clear ending.

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And for some reason, I thought that having me on the floor

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babbling during the big opportunity that I've just

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blown, hosting a talk show because I'm high on oxycodone.

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That seemed like a reasonable place to end the series for me.

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But we're back.

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And you know enough people who've

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been through that.

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I do.

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You know, it was -- the real challenge became when we got

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renewed and they wanted to do more shows.

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I didn't know what we would do.

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I did not want to go back to the world we've established

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because we've sort of done it, done my whole life in that way.

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I didn't want to be redundant.

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So, it sort of hit me all at once, well, we just

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leave him where we left him.

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That he's been out using Oxy's for a year, he lost everything.

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And now we come back, we have a completely different show.

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Marc has nothing.

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He's on drugs.

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And we got to get him cleaned up.

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We got to get him transitioned back into life.

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And we got to get him to make big decision about his future.

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So it has a nice narrative arc.

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What do you think the people --

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the listeners are buying into?

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I mean, do you think they are buying into, this is, in fact,

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a reflection of his life, or are they simply saying he's created

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this character, it has nothing to do with him at this stage.

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Well, I think what they know about me, and if

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they've been watching the show and listening to the podcast,

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is there are a lot of stories that are based on reality.

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They're executed differently, it's television.

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But this will be --

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And the professional life is

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a little bit of the same.

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Sure, exactly.

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But this season is a complete departure.

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And I think that because of the last three seasons,

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and people knowing me, know that I am sober, that I am,

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you know, in recovery.

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And that you know, this can happen.

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This is, you know, as a sober guy, you know,

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this is what happens.

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You see this happen.

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You know, you see dudes who've got 20 years or 25 years,

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and they get an injury, and they get prescribed pain killers

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and they slip.

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And they go out, you know, or else there's the other way

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which is someone who's got 25 years sober, said,

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I'm probably not an alcoholic anymore, and then they're gone.

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But --

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And they know.

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They know the danger's there, and it can't happen to me,

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and all of a sudden, they need it.

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Very quickly.

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So it's sort of a cautionary tale.

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It was nice that I was able to live it out fictionally.

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But is it a good time in there for you?

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Because you had this character, you, who you could build on

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in the beginning.

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And then, you're free to do, you have poetic license

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to do anything you want.

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It was great, it was great.

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I mean, it was fun for the writers, they were all

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a little nervous at first because we've got a nice

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little system going.

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And then you're like, no, that's gone.

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And, you know, it was ambitious for the budget that we were

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afforded from IFC, who gave us almost complete creative

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freedom, but, you know, within the realms of money, you know,

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we have, you know, you got to think that way.

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You know, we're shooting two shows a week, and it's all out,

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you know, out in the world.

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And it was ambitious.

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There was a lot of locations and stuff.

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But, I think everyone is very proud of the season.

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We did something that is unique and different for our show

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and for any show, and the comedy works and some of it --

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What else can you tell us about it

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without giving it away?

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Well, that -- well, there's some interesting

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back stories around the show.

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You know, when I go into rehab, the joke in rehab was that

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I would be the oldest one there.

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And I got a good friend, who is also my sponsor, actually,

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who works at a rehab.

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And he said that's very common.

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That everyone is 20, 25 years old.

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They're all in their 20's.

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So, I'm a 52-year-old man.

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I'm surrounded by kids in a rehab.

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And we just had this idea for a character.

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We wanted him to be like sort of a spoiled, you know,

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white rap kid.

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You know, like Chet Hanks, Tom Hank's son, Chet Hanks.

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There was some controversy about him because he had

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a little drug issue and he was a white rapper.

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And we thought like that, like Chet Hanks.

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And then we thought like, do you think he'd do it?

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You know, and we hired him.

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So he hadn't done a lot of acting recently.

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And this is probably his biggest acting part.

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He's basically playing himself.

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And also, you know, I'm in recovery.

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He was just, you know, new to recovery.

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So there was a lot of like real stuff going on.

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And he played this character for three episodes,

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and it was really kind of exciting.

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Describe your style of interview.

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Yeah, I just need to know some things.

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I like it to go as freely as possible.

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I have a general sense of who the person is.

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And then I don't have any real -- I don't want to dismiss major

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achievements if I'm talking to somebody who cured cancer,

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it would be good if I covered that.

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Yes, it would.

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Or at least recognize it.

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So I try not to miss.

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In the introduction, by the way,

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you cured cancer.

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Yeah, if I forget to talk about that during

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the talk, but I'm not too hard on where it goes.

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I like to follow the -- wherever it happens.

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The reason I ask, and that's exactly --

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I once helped prepare someone, who's very good, but I would

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say to him, you know, here is what I want you to do.

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You read all this stuff.

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Forget all that.

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I mean, remember all that, but here's what you do.

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Sit at your own computer, and think about who this is.

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Right.

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And what do you want to know.

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Right.

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That's where you start.

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Right.

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Start with some intuitive sense

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of who's this guy?

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Exactly.

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And what do I want to know about him?

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Right, right, in a broad sense.

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Rather than somebody putting out questions

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says, well, there was this conflict, and there was this

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thing, and there was this thing.

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All of which is simply regurgitating previous stories.

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What do I want to know about this guy?

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Exactly.

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What do I want to know?

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It's 700 episodes.

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Yeah.

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And also, you know, you don't want to -- if you do too much

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research, you already know the answer.

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And I think that's an old journalistic sort of trick,

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that like I've been told in the past before I did my podcast,

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you want to know what you're looking for in the answer.

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And I'm like, I can't stand that.

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No, but I think there are two points of view

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on that, personally, it is number one,

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you do want to know enough.

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Right.

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There's something -- Larry King,

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he and I talked about this.

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You and Larry?

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Yeah.

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Larry used to always say I don't want to read anything.

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Yeah.

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And I want to sit down and don't know the guy.

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And I never sort of -- I need to know something.

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Well, you're a talker.

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Larry is a guy that goes "Why?"

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When?

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"Really?

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Yes.

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He actually wants to have a little bit

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of a conversation.

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It would help, wouldn't it?

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But you're more like me.

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Yes, definitely.

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You really want to know,

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what makes this person tick?

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Right, and then, when you can hear the cues,

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you know, like when you're in the middle of a conversation,

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when it goes somewhere you don't know where it's going to go

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because you go, wait, what, why?

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Then is goes this other way.

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That's exciting because no one knows what's going to happen.

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And seize the moment, always seize the moment.

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Don't let the moment go by.

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Yeah, yeah, or get back to it.

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I've done -- that's the only notes I really make during an

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interview is that if somebody drops something in the middle

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of the story that's compelling in and of itself, I'll just

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write like get back to that thing about his dad.

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And I actually keep a list of things that

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sort of mainly because you don't want to miss --

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the bit about the doctor --

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Sure.

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-- that cured cancer.

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Right.

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You don't want to forget.

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You want to make sure you remember that.

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Yeah, you don't want the guy driving away,

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and you're like, oh, I didn't talk about the Oscar.

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Or you want to know, I mean, somebody cured

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cancer, you want to know how did you,

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of all the people, do it.

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Yeah, cure cancer.

260
00:08:54.100 --> 00:08:55.934
That should be an important conversation.

261
00:08:55.934 --> 00:08:56.767
Yeah.

262
00:08:56.767 --> 00:08:57.767
I mean, how do you do it?

263
00:08:57.767 --> 00:08:58.801
I think you'll probably have that one

264
00:08:58.801 --> 00:08:59.601
before me.

265
00:08:59.601 --> 00:09:01.200
(LAUGHTER)

266
00:09:01.200 --> 00:09:05.067
That's the level of the sphere you're operating in.

267
00:09:05.067 --> 00:09:06.300
How close are you -- I asked you this when

268
00:09:06.300 --> 00:09:07.901
I sat down -- to Louis C.K.?

269
00:09:07.901 --> 00:09:08.701
We're pretty close.

270
00:09:08.701 --> 00:09:10.834
You know, we've gotten -- we've been close --

271
00:09:10.834 --> 00:09:11.934
Is that a comedic history?

272
00:09:11.934 --> 00:09:13.067
Oh, yeah, we were friends, you know.

273
00:09:13.067 --> 00:09:15.934
One of the big podcasts I did years ago, that was big for

274
00:09:15.934 --> 00:09:18.834
everybody, myself included, was us sort of repairing a very

275
00:09:18.834 --> 00:09:21.334
long and, you know, deep friendship, we're good friends.

276
00:09:21.334 --> 00:09:24.434
I just -- he was just on the 700th episode, he came by.

277
00:09:24.434 --> 00:09:27.267
A couple weeks ago, he stopped by to talk about the creation

278
00:09:27.267 --> 00:09:28.501
of "Horace and Pete."

279
00:09:28.501 --> 00:09:29.167
And we're in touch.

280
00:09:29.167 --> 00:09:30.434
I saw him the other night.

281
00:09:30.434 --> 00:09:34.133
We talk, you know, we're busy people but I love Louis.

282
00:09:34.133 --> 00:09:35.767
I just did an hour with him,

283
00:09:35.767 --> 00:09:37.934
and he was just wonderful.

284
00:09:37.934 --> 00:09:38.801
Oh yeah, he's great.

285
00:09:38.801 --> 00:09:40.467
He has a sense of story.

286
00:09:40.467 --> 00:09:41.567
Yeah.

287
00:09:41.567 --> 00:09:43.400
So deeply ingrained in how he does it.

288
00:09:43.400 --> 00:09:45.100
Well, Louis he is one of these people, he's always

289
00:09:45.100 --> 00:09:47.100
been, he picks good role models.

290
00:09:47.100 --> 00:09:48.868
So, like Louis, like when we were younger he would always be

291
00:09:48.868 --> 00:09:51.067
reading the biography of Teddy Roosevelt

292
00:09:51.067 --> 00:09:52.534
or something like that.

293
00:09:52.534 --> 00:09:55.033
And yet, he'd have some practical problem about,

294
00:09:55.033 --> 00:09:58.234
you know, his car breaking down and he'd somehow analogize it

295
00:09:58.234 --> 00:10:00.100
to an issue of Teddy Roosevelt.

296
00:10:00.100 --> 00:10:00.734
With Teddy Roosevelt.

297
00:10:00.734 --> 00:10:01.601
Yes, he's very good like that.

298
00:10:01.601 --> 00:10:02.634
What would Teddy have done

299
00:10:02.634 --> 00:10:03.634
if he was in this same situation?

300
00:10:03.634 --> 00:10:04.934
Exactly, yes.

301
00:10:04.934 --> 00:10:06.601
He elevates things.

302
00:10:06.601 --> 00:10:09.267
But, you know, he is a very engaged and brilliant guy.

303
00:10:09.267 --> 00:10:11.367
Have you -- do you ever think about ending it?

304
00:10:11.367 --> 00:10:13.434
You mean killing myself?

305
00:10:13.434 --> 00:10:14.100
Is that what it would mean?

306
00:10:14.100 --> 00:10:15.868
I don't know, that's interesting.

307
00:10:15.868 --> 00:10:17.100
No, no, no.

308
00:10:17.100 --> 00:10:18.567
(LAUGHTER)

309
00:10:18.567 --> 00:10:21.033
No, if I was interested in that,

310
00:10:21.033 --> 00:10:22.734
I would say, have you ever thought about killing yourself?

311
00:10:22.734 --> 00:10:24.000
Yeah, are you depressed?

312
00:10:24.000 --> 00:10:26.033
Precise is a better way to go.

313
00:10:26.033 --> 00:10:27.434
No, no, about the podcast?

314
00:10:27.434 --> 00:10:28.400
Well, I don't know.

315
00:10:28.400 --> 00:10:29.200
Is it your life?

316
00:10:29.200 --> 00:10:33.133
Is it the thing that brings you sort of a mission?

317
00:10:33.133 --> 00:10:35.100
Well, I don't know, yeah, I don't know

318
00:10:35.100 --> 00:10:38.300
how you feel about it, but I get a little twitchy

319
00:10:38.300 --> 00:10:39.400
if I don't talk to people.

320
00:10:39.400 --> 00:10:40.234
Yes, me too.

321
00:10:40.234 --> 00:10:43.434
It's become, maybe it's the same for you, I think

322
00:10:43.434 --> 00:10:47.100
it's the deepest relationships I have for an hour.

323
00:10:47.100 --> 00:10:49.067
I don't know if we want to go there.

324
00:10:49.067 --> 00:10:50.367
Well, no, it's sort of sad.

325
00:10:50.367 --> 00:10:51.000
Yes.

326
00:10:51.000 --> 00:10:52.100
Like, you know, I have a girlfriend

327
00:10:52.100 --> 00:10:53.567
and we get along and everything.

328
00:10:53.567 --> 00:10:55.934
But I can get real deep with a person I know is gonna

329
00:10:55.934 --> 00:10:57.200
leave in an hour, right?

330
00:10:57.200 --> 00:10:58.000
I know.

331
00:10:58.000 --> 00:10:59.567
You know, the great thing is, you can get more out of that

332
00:10:59.567 --> 00:11:03.801
person than his best friend or his wife or in her case,

333
00:11:03.801 --> 00:11:05.601
she's here, her husband.

334
00:11:05.601 --> 00:11:06.067
Yes.

335
00:11:06.067 --> 00:11:07.801
Because you have a license.

336
00:11:07.801 --> 00:11:08.367
Right.

337
00:11:08.367 --> 00:11:10.767
Often people will say to me, I heard things

338
00:11:10.767 --> 00:11:13.834
about my friends that I never heard before and I've known them

339
00:11:13.834 --> 00:11:14.734
for 20 years.

340
00:11:14.734 --> 00:11:15.334
Yes.

341
00:11:15.334 --> 00:11:16.234
It's because we have license.

342
00:11:16.234 --> 00:11:16.868
Right.

343
00:11:16.868 --> 00:11:17.667
And it's expected.

344
00:11:17.667 --> 00:11:19.234
Yes, I get that too.

345
00:11:19.234 --> 00:11:21.133
And it's always kind of an amazing feeling.

346
00:11:21.133 --> 00:11:21.767
Yes.

347
00:11:21.767 --> 00:11:24.000
But I don't know about you, but, you know,

348
00:11:24.000 --> 00:11:26.534
sometimes I have conversations and there's moments where I'm

349
00:11:26.534 --> 00:11:29.100
like maybe I should give that guy a call and hang out.

350
00:11:29.100 --> 00:11:31.067
And then you're like, I don't know if that's really

351
00:11:31.067 --> 00:11:31.934
part of the job.

352
00:11:31.934 --> 00:11:34.000
You know, hey, it's Marc, remember we did the show?

353
00:11:34.000 --> 00:11:36.067
Maybe we can just talk off the mics.

354
00:11:36.067 --> 00:11:36.734
Yes.

355
00:11:36.734 --> 00:11:39.033
I think people always ask, do the people you have on the air

356
00:11:39.033 --> 00:11:40.000
become your friends?

357
00:11:40.000 --> 00:11:40.567
Yes.

358
00:11:40.567 --> 00:11:42.000
Some cases they do, some cases they don't.

359
00:11:42.000 --> 00:11:44.000
It's also has a lot to do with proximity, I think.

360
00:11:44.000 --> 00:11:44.467
Sure.

361
00:11:44.467 --> 00:11:45.267
Yes.

362
00:11:45.267 --> 00:11:47.634
I always wonder that but I kind of leave it be.

363
00:11:47.634 --> 00:11:49.868
I would rather just keep a few friends.

364
00:11:49.868 --> 00:11:50.534
Yes.

365
00:11:50.534 --> 00:11:52.434
You don't want to be the pestering guy.

366
00:11:52.434 --> 00:11:53.667
I never know what my role is.

367
00:11:53.667 --> 00:11:55.067
- a super celebrity.

368
00:11:55.067 --> 00:11:55.634
Right.

369
00:11:55.634 --> 00:11:57.434
When you have a big star over, you're like, we really get

370
00:11:57.434 --> 00:11:58.767
along, maybe we will have lunch or something.

371
00:11:58.767 --> 00:12:00.501
And I go to text and I'm like, what am I thinking,

372
00:12:00.501 --> 00:12:02.033
you know what I mean?

373
00:12:02.033 --> 00:12:03.300
Or you say he doesn't want to

374
00:12:03.300 --> 00:12:04.300
have lunch with me.

375
00:12:04.300 --> 00:12:05.100
Yes, exactly.

376
00:12:05.100 --> 00:12:06.100
Or I don't want to have lunch with him.

377
00:12:06.100 --> 00:12:08.834
Exactly, and what are we gonna do at lunch?

378
00:12:08.834 --> 00:12:10.234
We've done it.

379
00:12:10.234 --> 00:12:12.868
I once interviewed Charles Manson to speak of --

380
00:12:12.868 --> 00:12:13.901
You wanted to have lunch with him?

381
00:12:13.901 --> 00:12:15.100
No.

382
00:12:15.100 --> 00:12:16.934
But I said to him afterwards, because he said to me, "I have

383
00:12:16.934 --> 00:12:20.467
been watching you," when I came into the San Quentin.

384
00:12:20.467 --> 00:12:22.267
He said "I have been watching you, Rose."

385
00:12:22.267 --> 00:12:23.167
And I said "What do you mean?"

386
00:12:23.167 --> 00:12:26.000
And he said "well, you're on TV, I see you."

387
00:12:26.000 --> 00:12:27.501
So, then at the end of the broadcast, at the end of

388
00:12:27.501 --> 00:12:30.501
the taping I said to him are you going to watch this?

389
00:12:30.501 --> 00:12:32.701
He said no, I just did it.

390
00:12:32.701 --> 00:12:33.434
That's interesting.

391
00:12:33.434 --> 00:12:34.701
Because I feel that way.

392
00:12:34.701 --> 00:12:36.734
So, what is the role of podcasts in the future

393
00:12:36.734 --> 00:12:39.367
of social media?

394
00:12:39.367 --> 00:12:40.601
I mean, are we going to see a lot more?

395
00:12:40.601 --> 00:12:42.567
For example, David Axelrod.

396
00:12:42.567 --> 00:12:43.267
Yes.

397
00:12:43.267 --> 00:12:44.467
Has a popular podcast.

398
00:12:44.467 --> 00:12:46.701
Not popular in your league but popular.

399
00:12:46.701 --> 00:12:48.901
Well, I think that it gives everybody, it is sort

400
00:12:48.901 --> 00:12:50.467
of a wild frontier right now.

401
00:12:50.467 --> 00:12:52.801
And everybody can really do one when everyone has access to

402
00:12:52.801 --> 00:12:53.667
the technology.

403
00:12:53.667 --> 00:12:55.934
It's very easy and you can post it fairly easily.

404
00:12:55.934 --> 00:12:59.234
But like anything else, I think that there is niche markets,

405
00:12:59.234 --> 00:13:01.901
you know, and there is people will find the good ones

406
00:13:01.901 --> 00:13:03.901
or find the things that apply to their lives.

407
00:13:03.901 --> 00:13:06.033
But there is also like, you know, there is also podcasts

408
00:13:06.033 --> 00:13:08.567
that are very niche which is like four listeners.

409
00:13:08.567 --> 00:13:11.634
And I don't know how long they will remain.

410
00:13:11.634 --> 00:13:15.234
But the good ones will find their way.

411
00:13:15.234 --> 00:13:15.868
Yes.

412
00:13:15.868 --> 00:13:17.400
Is that what happened, you just found your way.

413
00:13:17.400 --> 00:13:18.634
Well, yes.

414
00:13:18.634 --> 00:13:19.834
Word of mouth, somebody said you have to hear

415
00:13:19.834 --> 00:13:20.834
this, have you heard this?

416
00:13:20.834 --> 00:13:22.367
Well, that is sort of what happened.

417
00:13:22.367 --> 00:13:23.367
I mean, we got in --

418
00:13:23.367 --> 00:13:24.133
Water cooler talk.

419
00:13:24.133 --> 00:13:25.234
Yes, at a good time.

420
00:13:25.234 --> 00:13:27.501
There was a little bit of water cooler talk but it was mostly

421
00:13:27.501 --> 00:13:29.467
driven by guests I had.

422
00:13:29.467 --> 00:13:33.267
I did a fairly significant interview with Robin Williams,

423
00:13:33.267 --> 00:13:34.767
you know, at his home.

424
00:13:34.767 --> 00:13:37.334
And during the beginning, we were also timed right,

425
00:13:37.334 --> 00:13:39.567
it was before the podcast explosion.

426
00:13:39.567 --> 00:13:42.033
So, there were several pivotal interviews throughout the years

427
00:13:42.033 --> 00:13:43.801
that kind of brought people in.

428
00:13:43.801 --> 00:13:44.701
OK, Robin is one.

429
00:13:44.701 --> 00:13:45.934
What are the others?

430
00:13:45.934 --> 00:13:48.534
Well, like early on, like it was interesting,

431
00:13:48.534 --> 00:13:51.100
there was an interview with Ira Glass that sort of brought --

432
00:13:51.100 --> 00:13:51.667
Sure.

433
00:13:51.667 --> 00:13:53.434
-- a lot of people from his world in,

434
00:13:53.434 --> 00:13:57.834
Ben Stiller, Conan O'Brien early on was a pretty big interview,

435
00:13:57.834 --> 00:13:59.767
that first Louis interview was pretty big.

436
00:13:59.767 --> 00:14:02.067
There were two Carlos Mencia interviews where I sort of

437
00:14:02.067 --> 00:14:04.901
talked to him about stealing jokes that were pretty big.

438
00:14:04.901 --> 00:14:06.767
And then it just started to build like that.

439
00:14:06.767 --> 00:14:10.868
But at that time people were just now recognizing the medium.

440
00:14:10.868 --> 00:14:13.467
The biggest problem with podcasting, most people

441
00:14:13.467 --> 00:14:16.367
still don't listen to them or know what they are

442
00:14:16.367 --> 00:14:17.701
or how to get them.

443
00:14:17.701 --> 00:14:18.901
That's true, they don't.

444
00:14:18.901 --> 00:14:19.801
It's crazy.

445
00:14:19.801 --> 00:14:21.767
But with respect to the president.

446
00:14:21.767 --> 00:14:22.300
Yes.

447
00:14:22.300 --> 00:14:24.667
Did somebody on his staff know and was a fan

448
00:14:24.667 --> 00:14:26.000
and said to him, you ought to do this,

449
00:14:26.000 --> 00:14:27.200
take a listen, this is great.

450
00:14:27.200 --> 00:14:28.667
That's right, that's what happened.

451
00:14:28.667 --> 00:14:30.300
A staffer enjoyed it.

452
00:14:30.300 --> 00:14:32.901
You know, called us up, started pursuing it.

453
00:14:32.901 --> 00:14:35.634
We thought that was -- yes, of course we'll do it.

454
00:14:35.634 --> 00:14:37.234
But it seems like a long shot to us.

455
00:14:37.234 --> 00:14:37.767
Yes.

456
00:14:37.767 --> 00:14:40.501
And, you know, he said he listened to a couple.

457
00:14:40.501 --> 00:14:43.267
But it was a staff person.

458
00:14:43.267 --> 00:14:46.100
And a lot of people in the world that you and I run in whether

459
00:14:46.100 --> 00:14:50.567
it's entertainment or news, it's very interesting with a podcast

460
00:14:50.567 --> 00:14:53.501
how far the reach is and who listens to it.

461
00:14:53.501 --> 00:14:55.667
Because I get a lot of people that come up from all different

462
00:14:55.667 --> 00:14:58.000
areas of life, who are just like, I love your podcast.

463
00:14:58.000 --> 00:14:59.234
I'm like, really, you listen to it?

464
00:14:59.234 --> 00:15:01.767
And then they'll refer to a guest, except

465
00:15:01.767 --> 00:15:04.133
occasions might come along and they say, man, I love your show,

466
00:15:04.133 --> 00:15:05.133
watch it all the time.

467
00:15:05.133 --> 00:15:07.367
What was the last thing you saw?

468
00:15:07.367 --> 00:15:10.434
Well, gee, the thing you did, you know, I said,

469
00:15:10.434 --> 00:15:11.234
that was five years ago.

470
00:15:11.234 --> 00:15:13.200
Five years ago.

471
00:15:13.200 --> 00:15:15.667
Yes, like what exactly -- I don't get PBS.

472
00:15:15.667 --> 00:15:16.901
I don't --

473
00:15:16.901 --> 00:15:18.133
We get it every five years.

474
00:15:18.133 --> 00:15:19.501
What channel are you on?

475
00:15:19.501 --> 00:15:20.634
One show every five years.

476
00:15:20.634 --> 00:15:21.267
yes.

477
00:15:21.267 --> 00:15:23.267
Well, how long ago did you interview Manson?

478
00:15:23.267 --> 00:15:24.667
That was a long time when I first started out.

479
00:15:24.667 --> 00:15:25.534
Really?

480
00:15:25.534 --> 00:15:27.367
It was like 1984, '85.

481
00:15:27.367 --> 00:15:28.267
I wonder how he is doing.

482
00:15:28.267 --> 00:15:29.400
You should go back for a second one.

483
00:15:29.400 --> 00:15:30.467
Well, you know, all these things are happening

484
00:15:30.467 --> 00:15:31.300
to people around him.

485
00:15:31.300 --> 00:15:34.234
It's a story that every year there is some development.

486
00:15:34.234 --> 00:15:36.167
Well, someone was just up for parole.

487
00:15:36.167 --> 00:15:37.167
Yes, that's right.

488
00:15:37.167 --> 00:15:38.300
Leslie Van Houten I think.

489
00:15:38.300 --> 00:15:39.601
I don't think they released her,

490
00:15:39.601 --> 00:15:40.267
did they or not?

491
00:15:40.267 --> 00:15:41.000
I don't think so.

492
00:15:41.000 --> 00:15:41.667
Yes.

493
00:15:41.667 --> 00:15:42.467
Yes.

494
00:15:42.467 --> 00:15:47.434
But that would be an interesting interview, it would be intense.

495
00:15:47.434 --> 00:15:48.868
Why don't you go to San Quentin and talk to him?

496
00:15:48.868 --> 00:15:49.868
I would.

497
00:15:49.868 --> 00:15:51.167
I mean, who do I talk to?

498
00:15:51.167 --> 00:15:52.801
Can you put me in touch with Manson?

499
00:15:52.801 --> 00:15:54.534
(LAUGHTER)

500
00:15:54.534 --> 00:15:55.767
Would you do it, would you like to do it,

501
00:15:55.767 --> 00:15:56.467
does that interest you?

502
00:15:56.467 --> 00:15:57.133
I would.

503
00:15:57.133 --> 00:15:58.868
Yes, he's a nice guy.

504
00:15:58.868 --> 00:16:00.200
He's an old witch.

505
00:16:00.200 --> 00:16:02.000
More than that.

506
00:16:02.000 --> 00:16:02.801
Yes.

507
00:16:02.801 --> 00:16:04.434
But, I mean, I would be trying to do that

508
00:16:04.434 --> 00:16:05.067
if I were you.

509
00:16:05.067 --> 00:16:06.701
In other words, maybe you and I are different.

510
00:16:06.701 --> 00:16:09.100
If there is somebody I really want to talk to, I want to reach

511
00:16:09.100 --> 00:16:12.534
out to them and find them and say how about let's do this.

512
00:16:12.534 --> 00:16:13.234
Well, I do that --

513
00:16:13.234 --> 00:16:14.033
Well, I might.

514
00:16:14.033 --> 00:16:15.100
Are you so casual about it?

515
00:16:15.100 --> 00:16:17.234
Well, Manson is sort of a difficult get,

516
00:16:17.234 --> 00:16:18.167
Charlie.

517
00:16:18.167 --> 00:16:21.200
You know, I am more focused on Albert Brooks.

518
00:16:21.200 --> 00:16:22.234
Albert Brooks is...

519
00:16:22.234 --> 00:16:23.467
Well, I do, too.

520
00:16:23.467 --> 00:16:25.534
He might be more difficult to get than Charlie

521
00:16:25.534 --> 00:16:28.467
Manson, Albert and he knows I want to talk to him.

522
00:16:28.467 --> 00:16:30.934
Are you serious now, you want to talk to him

523
00:16:30.934 --> 00:16:32.367
and you haven't been able to so far?

524
00:16:32.367 --> 00:16:33.801
I just don't think he wants to do

525
00:16:33.801 --> 00:16:36.000
the hour interview, like I saw him recently at an event.

526
00:16:36.000 --> 00:16:37.267
So, what are they -- when they say that,

527
00:16:37.267 --> 00:16:38.834
I get a little bit of that too.

528
00:16:38.834 --> 00:16:39.400
Sure.

529
00:16:39.400 --> 00:16:41.033
Oh, 15 minutes, that's fine.

530
00:16:41.033 --> 00:16:41.534
Right.

531
00:16:41.534 --> 00:16:42.567
They go, an hour?

532
00:16:42.567 --> 00:16:43.767
I can't carry an hour.

533
00:16:43.767 --> 00:16:45.734
There's not that much interesting stuff in an hour.

534
00:16:45.734 --> 00:16:49.200
And you say to them, let me, trust me.

535
00:16:49.200 --> 00:16:50.267
Yes, yes, let's do that.

536
00:16:50.267 --> 00:16:50.934
Let me make that decision.

537
00:16:50.934 --> 00:16:53.000
But then the next step -- the next phase in their

538
00:16:53.000 --> 00:16:54.767
head is that maybe there are some things I don't want

539
00:16:54.767 --> 00:16:56.400
to talk about, Charlie.

540
00:16:56.400 --> 00:16:57.000
That's true.

541
00:16:57.000 --> 00:16:58.234
Yes, that's right.

542
00:16:58.234 --> 00:17:00.167
And then you just say to them, you are in control.

543
00:17:00.167 --> 00:17:01.701
Just say I don't want to talk about it.

544
00:17:01.701 --> 00:17:02.501
Right, you're not --

545
00:17:02.501 --> 00:17:03.868
Perfectly good answer.

546
00:17:03.868 --> 00:17:04.467
Yes.

547
00:17:04.467 --> 00:17:07.234
I do not want to talk about this.

548
00:17:07.234 --> 00:17:07.767
Yes.

549
00:17:07.767 --> 00:17:09.167
I don't think you or I are going to sit there and say,

550
00:17:09.167 --> 00:17:10.334
come on, come on.

551
00:17:10.334 --> 00:17:11.901
Not for 15 minutes.

552
00:17:11.901 --> 00:17:13.634
You're not trying to trap anybody.

553
00:17:13.634 --> 00:17:15.067
Or trying to sort of look like you are

554
00:17:15.067 --> 00:17:16.367
the world's toughest interviewer.

555
00:17:16.367 --> 00:17:16.934
Right.

556
00:17:16.934 --> 00:17:18.567
Because when that happens do you know, do you ever get people

557
00:17:18.567 --> 00:17:20.033
that say like, I don't want that in there.

558
00:17:20.033 --> 00:17:20.767
No.

559
00:17:20.767 --> 00:17:22.300
Well no, no, no, no.

560
00:17:22.300 --> 00:17:24.901
They don't say to me I don't want to talk about this.

561
00:17:24.901 --> 00:17:25.901
They may say --

562
00:17:25.901 --> 00:17:27.400
But after that -- after.

563
00:17:27.400 --> 00:17:29.367
-- they may say it's boring.

564
00:17:29.367 --> 00:17:30.868
You know, I mean, you can talk about whatever you want to

565
00:17:30.868 --> 00:17:32.300
but I think this is really boring.

566
00:17:32.300 --> 00:17:33.901
But do you -- do you -- has anyone after

567
00:17:33.901 --> 00:17:35.601
you got it in the can --

568
00:17:35.601 --> 00:17:36.067
Yes.

569
00:17:36.067 --> 00:17:38.367
-- called up and said, could you not

570
00:17:38.367 --> 00:17:40.267
run that part?

571
00:17:40.267 --> 00:17:41.167
Sure.

572
00:17:41.167 --> 00:17:44.300
And I would make a decision based on if I thought it was

573
00:17:44.300 --> 00:17:45.300
an interesting part.

574
00:17:45.300 --> 00:17:47.434
If I thought it was relevant and interesting, I would say no,

575
00:17:47.434 --> 00:17:48.567
it's in.

576
00:17:48.567 --> 00:17:49.367
Do you have to negotiate with them

577
00:17:49.367 --> 00:17:50.400
a little bit, talk them into it?

578
00:17:50.400 --> 00:17:51.901
No.

579
00:17:51.901 --> 00:17:52.567
It's your decision.

580
00:17:52.567 --> 00:17:53.367
It's your decision.

581
00:17:53.367 --> 00:17:54.467
Because they already did it.

582
00:17:54.467 --> 00:17:55.501
My name is on the door.

583
00:17:55.501 --> 00:17:56.767
Yes.

584
00:17:56.767 --> 00:17:59.267
And so is yours.

585
00:17:59.267 --> 00:18:00.434
Oddly when people ask for that,

586
00:18:00.434 --> 00:18:01.434
it's never anything --

587
00:18:01.434 --> 00:18:03.267
It's always about what they said about somebody else.

588
00:18:03.267 --> 00:18:03.934
It's never --

589
00:18:03.934 --> 00:18:04.667
That's right.

590
00:18:04.667 --> 00:18:07.000
And you look at it, I mean, they said, you know, my wife's

591
00:18:07.000 --> 00:18:08.767
mother is going to really, really be bothered by this.

592
00:18:08.767 --> 00:18:09.834
Right.

593
00:18:09.834 --> 00:18:11.434
And you say, you know --

594
00:18:11.434 --> 00:18:12.634
Tough luck.

595
00:18:12.634 --> 00:18:13.901
Well, no, it depends on that.

596
00:18:13.901 --> 00:18:16.033
I mean, you know, it's not -- but if they said look, you know,

597
00:18:16.033 --> 00:18:19.701
when I was a kid I did all these terrible things.

598
00:18:19.701 --> 00:18:20.400
Yes.

599
00:18:20.400 --> 00:18:21.467
You know, and I got away with them,

600
00:18:21.467 --> 00:18:23.467
you're not going to say no.

601
00:18:23.467 --> 00:18:23.901
Right.

602
00:18:23.901 --> 00:18:24.834
It's really whether they are hurting some

603
00:18:24.834 --> 00:18:26.000
innocent person I think.

604
00:18:26.000 --> 00:18:26.434
Right.

605
00:18:26.434 --> 00:18:27.000
I think that's right.

606
00:18:27.000 --> 00:18:28.734
Yes, we always comply.

607
00:18:28.734 --> 00:18:29.801
There was one --

608
00:18:29.801 --> 00:18:31.434
But if it was journalistic and relevant,

609
00:18:31.434 --> 00:18:33.167
you still would say no, it's in.

610
00:18:33.167 --> 00:18:34.167
Right.

611
00:18:34.167 --> 00:18:36.033
Yes, watch your mouth next time.

612
00:18:36.033 --> 00:18:37.100
Yes.

613
00:18:37.100 --> 00:18:39.000
Don't be so stupid next time.

614
00:18:39.000 --> 00:18:39.534
Yes.

615
00:18:39.534 --> 00:18:40.000
All right.

616
00:18:40.000 --> 00:18:41.234
Take a look at this, this is when you are trying to convince

617
00:18:41.234 --> 00:18:43.133
your agent to get you work.

618
00:18:43.133 --> 00:18:45.501
Here it is from "Maron."

619
00:18:45.501 --> 00:18:47.200
There she is.

620
00:18:47.200 --> 00:18:49.801
I got some good news for you.

621
00:18:49.801 --> 00:18:52.000
I know what you are thinking but you're wrong.

622
00:18:52.000 --> 00:18:53.701
Oh, you got in past Stacey again.

623
00:18:53.701 --> 00:18:54.467
Stacey!

624
00:18:54.467 --> 00:18:56.000
I'm ready, OK.

625
00:18:56.000 --> 00:18:57.067
I feel excited.

626
00:18:57.067 --> 00:18:58.634
I feel funny.

627
00:18:58.634 --> 00:19:00.100
I feel talented.

628
00:19:00.100 --> 00:19:03.334
Don't I seem better?

629
00:19:03.334 --> 00:19:05.801
OK, I am not going to be picky anymore.

630
00:19:05.801 --> 00:19:06.801
I'll take anything.

631
00:19:06.801 --> 00:19:07.434
Yes.

632
00:19:07.434 --> 00:19:09.434
You'll get me on one of those dumb shows where I talk about

633
00:19:09.434 --> 00:19:12.234
other dumb shows or maybe, you know, get me on one of those

634
00:19:12.234 --> 00:19:14.767
ones where I just say snarky --

635
00:19:14.767 --> 00:19:15.734
Oh, no, no, no.

636
00:19:15.734 --> 00:19:16.868
We're not going to do this again,

637
00:19:16.868 --> 00:19:18.267
we're not going do it again, OK?

638
00:19:18.267 --> 00:19:18.734
What?

639
00:19:18.734 --> 00:19:20.467
This thing that you do every few weeks.

640
00:19:20.467 --> 00:19:23.801
When you come in here -- Stacey -- and your eyes are glassy.

641
00:19:23.801 --> 00:19:26.167
My eyes aren't glassy.

642
00:19:26.167 --> 00:19:28.200
I don't represent you anymore.

643
00:19:28.200 --> 00:19:29.167
I fired you.

644
00:19:29.167 --> 00:19:30.434
You can't fire me.

645
00:19:30.434 --> 00:19:31.634
I'm the client.

646
00:19:31.634 --> 00:19:32.868
I fire you.

647
00:19:32.868 --> 00:19:34.000
You don't fire me.

648
00:19:34.000 --> 00:19:34.834
(LAUGHTER)

649
00:19:34.834 --> 00:19:35.734
Really?

650
00:19:35.734 --> 00:19:37.334
Yes.

651
00:19:37.334 --> 00:19:40.000
How much -- is that 100 percent scripted?

652
00:19:40.000 --> 00:19:42.567
That was a little loose but yes, we do work from

653
00:19:42.567 --> 00:19:44.067
-- it's mostly scripted.

654
00:19:44.067 --> 00:19:45.367
It's all scripted.

655
00:19:45.367 --> 00:19:46.601
By you or other writers?

656
00:19:46.601 --> 00:19:50.267
Well, we have a writing staff, and the process

657
00:19:50.267 --> 00:19:53.601
is, you know, we break story together like breaking bread,

658
00:19:53.601 --> 00:19:54.100
you know.

659
00:19:54.100 --> 00:19:57.300
I had the ideas for the arc of the season, then we come up with

660
00:19:57.300 --> 00:20:00.300
the 13 stories and then we get in a room and we flesh those

661
00:20:00.300 --> 00:20:03.067
stories out into a three act structure.

662
00:20:03.067 --> 00:20:05.901
And then writers are assigned to outline and script them.

663
00:20:05.901 --> 00:20:08.367
And then, you know, at each phase we bring it back in.

664
00:20:08.367 --> 00:20:11.601
It's collaborative but it's written by the writers.

665
00:20:11.601 --> 00:20:14.734
And Michael and Jim, Dave Anthony, Jerry Stahl,

666
00:20:14.734 --> 00:20:16.267
Bob Nickman, and myself.

667
00:20:16.267 --> 00:20:18.000
Thank God you remembered all the names.

668
00:20:18.000 --> 00:20:18.567
Yes.

669
00:20:18.567 --> 00:20:19.434
I'm very good at that.

670
00:20:19.434 --> 00:20:20.934
They all did a great job.

671
00:20:20.934 --> 00:20:22.167
It's a very exciting process.

672
00:20:22.167 --> 00:20:23.267
The writing process.

673
00:20:23.267 --> 00:20:23.701
Yes.

674
00:20:23.701 --> 00:20:24.734
Sitting around a table like --

675
00:20:24.734 --> 00:20:25.434
Sure.

676
00:20:25.434 --> 00:20:26.033
-- comedy writers do?

677
00:20:26.033 --> 00:20:26.667
Yes, yes.

678
00:20:26.667 --> 00:20:27.534
There is a lot of sitting.

679
00:20:27.534 --> 00:20:28.100
Yes.

680
00:20:28.100 --> 00:20:30.934
What happens is sometimes about 20 minutes of,

681
00:20:30.934 --> 00:20:35.868
you know, five guys, six guys just sitting and I go, come on!

682
00:20:35.868 --> 00:20:36.901
There's got to be something.

683
00:20:36.901 --> 00:20:37.734
OK?

684
00:20:37.734 --> 00:20:39.400
And then, you know, we just get movement.

685
00:20:39.400 --> 00:20:43.400
And it's a weird and kind of one brain kind of thing

686
00:20:43.400 --> 00:20:44.601
that happens.

687
00:20:44.601 --> 00:20:46.000
And how much, I mean, what's been the most

688
00:20:46.000 --> 00:20:50.234
painful place for you to go that became part of the show?

689
00:20:50.234 --> 00:20:51.000
Last season.

690
00:20:51.000 --> 00:20:51.601
Was it really?

691
00:20:51.601 --> 00:20:52.133
Yes.

692
00:20:52.133 --> 00:20:57.067
Last season when I, you know, I fictionalized having -- doing a

693
00:20:57.067 --> 00:21:01.834
podcast with my ex-wife who I haven't talked to in years.

694
00:21:01.834 --> 00:21:04.234
And you know, just sort of bringing up, because there were

695
00:21:04.234 --> 00:21:06.567
flashbacks in the episode where I actually shaved off my

696
00:21:06.567 --> 00:21:09.868
mustache and stuff to play, the sort of the scenes that sort of

697
00:21:09.868 --> 00:21:12.501
ended the relationship of that marriage.

698
00:21:12.501 --> 00:21:15.767
And, you know, it got pretty hairy.

699
00:21:15.767 --> 00:21:17.934
But I felt like I did something good.

700
00:21:17.934 --> 00:21:19.067
I felt like I got closure.

701
00:21:19.067 --> 00:21:21.200
I'm sure she sees it differently.

702
00:21:21.200 --> 00:21:23.000
I'm sure she sees it like --

703
00:21:23.000 --> 00:21:23.667
I am too.

704
00:21:23.667 --> 00:21:24.300
Yes.

705
00:21:24.300 --> 00:21:25.133
I feel like I got closure.

706
00:21:25.133 --> 00:21:27.400
I'm sure she sees it like why does he have to keep

707
00:21:27.400 --> 00:21:29.501
bringing this up?

708
00:21:29.501 --> 00:21:30.501
It was over.

709
00:21:30.501 --> 00:21:31.667
It was a long time ago.

710
00:21:31.667 --> 00:21:32.367
Exactly.

711
00:21:32.367 --> 00:21:33.868
We have gone on in our lives.

712
00:21:33.868 --> 00:21:34.567
Yes, yes.

713
00:21:34.567 --> 00:21:35.634
Don't you understand this?

714
00:21:35.634 --> 00:21:36.434
Yes, right.

715
00:21:36.434 --> 00:21:37.901
That's what she would be saying.

716
00:21:37.901 --> 00:21:40.934
She wants nothing more than to, when you Google her name,

717
00:21:40.934 --> 00:21:44.868
I'm very far, maybe perhaps three or four pages away.

718
00:21:44.868 --> 00:21:46.434
Earlier in her life she was married.

719
00:21:46.434 --> 00:21:47.434
Yes.

720
00:21:47.434 --> 00:21:50.133
She would like to move that down the Google search.

721
00:21:50.133 --> 00:21:51.767
Probably would prefer that we not

722
00:21:51.767 --> 00:21:52.601
talk about it, too.

723
00:21:52.601 --> 00:21:55.400
Yes, but that -- she's doing wonderful things.

724
00:21:55.400 --> 00:22:00.868
She's a writer and you know, she's a mother and I am --

725
00:22:00.868 --> 00:22:03.501
I'm sure she's doing great, Charlie.

726
00:22:03.501 --> 00:22:07.167
What's the best thing that could happen to you?

727
00:22:07.167 --> 00:22:08.167
That is an interesting question.

728
00:22:08.167 --> 00:22:12.534
The best thing that could happen to me.

729
00:22:12.534 --> 00:22:21.267
That I actually feel content and happy enough to not do anything.

730
00:22:21.267 --> 00:22:22.534
It's interesting you say that.

731
00:22:22.534 --> 00:22:26.234
Because somebody you know died and there was a good friend

732
00:22:26.234 --> 00:22:32.367
of his and my friend talked to him when he was dying.

733
00:22:32.367 --> 00:22:35.367
You know, and he said, what do you regret?

734
00:22:35.367 --> 00:22:40.133
He said I regret not just being quiet.

735
00:22:40.133 --> 00:22:41.467
The word he used was quiet.

736
00:22:41.467 --> 00:22:42.734
Yes.

737
00:22:42.734 --> 00:22:43.234
You know.

738
00:22:43.234 --> 00:22:44.033
Yes.

739
00:22:44.033 --> 00:22:45.000
Learning how to do that.

740
00:22:45.000 --> 00:22:45.567
Yes.

741
00:22:45.567 --> 00:22:46.133
Inside.

742
00:22:46.133 --> 00:22:48.000
Being quiet, silence and all of that.

743
00:22:48.000 --> 00:22:48.601
Yes.

744
00:22:48.601 --> 00:22:50.868
Absence of frenzy and doing

745
00:22:50.868 --> 00:22:51.934
that kind of stuff.

746
00:22:51.934 --> 00:22:53.167
I think there is something to that.

747
00:22:53.167 --> 00:22:54.334
Yes, I'd like to --

748
00:22:54.334 --> 00:22:56.367
But I don't feel that yet, I mean, I don't feel

749
00:22:56.367 --> 00:22:59.234
a sense -- because I -- you know, I think I asked you

750
00:22:59.234 --> 00:23:01.267
what is it you most want to do.

751
00:23:01.267 --> 00:23:04.901
A Peabody would be nice, too.

752
00:23:04.901 --> 00:23:05.868
They are nice, I know.

753
00:23:05.868 --> 00:23:07.000
I'm telling you, they are nice to have.

754
00:23:07.000 --> 00:23:08.300
They are never going to give me one.

755
00:23:08.300 --> 00:23:08.868
Why not?

756
00:23:08.868 --> 00:23:09.734
I don't know.

757
00:23:09.734 --> 00:23:11.434
Are you lobbying?

758
00:23:11.434 --> 00:23:12.868
That you raise the question.

759
00:23:12.868 --> 00:23:13.634
Do I have to lobby?

760
00:23:13.634 --> 00:23:14.467
No.

761
00:23:14.467 --> 00:23:14.901
Great.

762
00:23:14.901 --> 00:23:16.167
I think if you lobby, you won't get it.

763
00:23:16.167 --> 00:23:17.234
I think it's the language.

764
00:23:17.234 --> 00:23:19.567
We sort of gave up on the whole idea of it.

765
00:23:19.567 --> 00:23:20.767
I mean, I don't know what I have got to do.

766
00:23:20.767 --> 00:23:23.067
First of all, I don't think you don't submit.

767
00:23:23.067 --> 00:23:24.300
You know, I won one a couple of years ago and I didn't

768
00:23:24.300 --> 00:23:25.734
even know I'd been --

769
00:23:25.734 --> 00:23:27.400
I don't even want to hear this.

770
00:23:27.400 --> 00:23:30.200
What do I got to do, I have the president in my house.

771
00:23:30.200 --> 00:23:31.367
The president came over to my house.

772
00:23:31.367 --> 00:23:32.300
It's not to have the president of your house,

773
00:23:32.300 --> 00:23:34.133
it's what comes out at the president's visit to your house.

774
00:23:34.133 --> 00:23:35.300
Did you hear that interview.

775
00:23:35.300 --> 00:23:36.934
Yes, I did.

776
00:23:36.934 --> 00:23:38.367
It was damn good, too, by the way.

777
00:23:38.367 --> 00:23:38.901
Thank you.

778
00:23:38.901 --> 00:23:40.467
I think because it's called "WTF."

779
00:23:40.467 --> 00:23:43.167
I think that it's the cursing that is offending.

780
00:23:43.167 --> 00:23:44.334
They may think it's a wrestling show.

781
00:23:44.334 --> 00:23:47.033
I don't know what it is, I have given up on that.

782
00:23:47.033 --> 00:23:48.234
Yes, but peace of mind.

783
00:23:48.234 --> 00:23:48.934
Peace of mind.

784
00:23:48.934 --> 00:23:49.868
And a Peabody.

785
00:23:49.868 --> 00:23:51.801
And a Peabody.

786
00:23:51.801 --> 00:23:55.133
Well, how about being very rich?

787
00:23:55.133 --> 00:23:56.501
Would that make a difference to you?

788
00:23:56.501 --> 00:23:57.067
I don't know.

789
00:23:57.067 --> 00:23:57.934
It's not really about money for me.

790
00:23:57.934 --> 00:23:59.467
I feel like I'm earning an honest living.

791
00:23:59.467 --> 00:24:01.467
I'm not earning a show business living.

792
00:24:01.467 --> 00:24:04.834
I think that my business partner and myself work hard

793
00:24:04.834 --> 00:24:08.234
on the podcast and we earn a decent living from that.

794
00:24:08.234 --> 00:24:11.200
And the TV thing is not so huge that it's ridiculous.

795
00:24:11.200 --> 00:24:12.667
And you know, I'm saving money.

796
00:24:12.667 --> 00:24:13.501
I feel pretty good about it.

797
00:24:13.501 --> 00:24:14.300
You're saving money?

798
00:24:14.300 --> 00:24:15.167
Yes, I don't spend money.

799
00:24:15.167 --> 00:24:16.868
I live in a two bedroom house.

800
00:24:16.868 --> 00:24:21.234
I get anxiety just thinking about having more bedrooms.

801
00:24:21.234 --> 00:24:22.701
But I don't know what to do with the second bedroom

802
00:24:22.701 --> 00:24:24.167
in the two bedroom.

803
00:24:24.167 --> 00:24:26.033
Are you in a good relationship?

804
00:24:26.033 --> 00:24:29.467
Yes, we're -- I'm in a -- I'm dating a painter.

805
00:24:29.467 --> 00:24:30.634
She's an abstract painter.

806
00:24:30.634 --> 00:24:31.300
That's great.

807
00:24:31.300 --> 00:24:33.567
It's a whole different world than mine.

808
00:24:33.567 --> 00:24:35.534
Season four of "Maron" premiers on IFC

809
00:24:35.534 --> 00:24:39.501
on Wednesday, May 4th at 9 p.m.

810
00:24:39.501 --> 00:24:41.167
I feel like I should say her name, Sarah Cain,

811
00:24:41.167 --> 00:24:42.067
she's a great painter.

812
00:24:42.067 --> 00:24:43.300
Sarah Kane?

813
00:24:43.300 --> 00:24:44.033
Sarah Cain.

814
00:24:44.033 --> 00:24:45.167
Like K-a-n-e?

815
00:24:45.167 --> 00:24:49.901
Like C-a-i-n, S-a-r-a-h, Sarah Cain.

816
00:24:49.901 --> 00:24:52.000
So, everybody now will be Googling Sarah

817
00:24:52.000 --> 00:24:53.734
to see what her art looks like.

818
00:24:53.734 --> 00:24:56.467
Crash her site.

819
00:24:56.467 --> 00:24:59.434
All right, Maron premiers on Wednesday, IFC.

820
00:24:59.434 --> 00:25:00.234
Thank you for coming.

821
00:25:00.234 --> 00:25:01.234
Great to see you again.

822
00:25:01.234 --> 00:25:02.334
You too.

